A Life in the Day
2013
The body of work which emerged from these intentions was A Life in the Day. It was an experiment in finding a reflexive method of working where all the individuals the roles of all collaborators were clear rather than opaque and in which moving-image was interactive rather than observational. Inspired by the experimental filmmaking practice of Jean Rouch I developed a participatory approach that was shaped by ideas of transparency and re-enactment. Characters re-enacted the events of a particular day (as recounted by them) with the idea that this quotidian experience offered a specific time, context and place within which an ethnic identity could be performed.
My aspirations for an ethical and reflexive process produced an intricate and explicit method that to some extent seemed to pre-determine the role of the participants. Even so, the character/participants still used this method to stage varied and diverse identities of their own, in unexpected and unanticipated ways. But neither the moving-image, nor the spoken narration of the character/participants made any explicit reference to an ethnic identity. Rather than creating an autonomous space in which individuals could narrate their ethnic identities as they wanted to, A Life in the Day revealed notions of ethnicity to be imagined, constructed and narrated in relation to an ongoing public and private conversation about this identity.
Thanks to: Ambrose, Carol, Humphrey, Lucy, Moroko, Omar. Supported by: Übersee Museum Bremenfull project